visual storytelling

  • On Villains and Heroes

    On Villains and Heroes

    The story written is not the only story that could be told. The same circumstances – the same childhood, the same betrayal, the same courtroom silence – can be narrated as the making of a monster or the tempering of a saint. Events are fixed; meaning is not. This is what Jung understood when he

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  • Making the Man

    Making the Man

    There was a time when the phrase “a good man” carried moral weight. It did not mean a harmless man, nor a man subdued by guilt or fashion, but a man who had learned to master his own capacity for destruction. A good man was dangerous, disciplined, and devoted. He could protect without posturing, and

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  • Lethe’s daughter

    Lethe’s daughter

    She was born beneath a silence, her first breath woven through with forgetting. They pressed a story into her skin, but the ink dissolved before it dried. She drank Lethe in her mother’s arms, unwitting, unknowing, learning the taste of absence as nourishment. Her lullabies were pauses, her cradle padded with omissions. Two fathers circled

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  • I thought I understood love. At least, I had mimicked the posture of it. I’d held hands, spoken vows, walked the straight line of domestic duty. I had smiled in photographs and stood still in kitchens with the weight of a thousand invisible expectations pressing against my chest. But when I met her, I realised

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  • A Gallery of Selves

    There are adults who do not walk through life as whole persons, but as a gallery of selves—each one trying to make sense of the others, or deny them altogether. What the DSM once called Multiple Personality Disorder—now formally termed Dissociative Identity Disorder (DID)—is not the theatrical split so often misunderstood in popular culture. It

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